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OutKast OutKast's blend of gritty Southern soul, fluid raps, and the rolling G-funk of their Organized Noize production crew epitomized the Atlanta wing of the Dirty South movement, during the late '90s. Along with Goodie Mob, OutKast took Southern hip-hop in bold, innovative new directions: less reliance on aggression, thicker arrangements, and intricate lyrics. After Dre and Big Boi, the duo that is OutKast, hit number one on the rap charts with their first single, “Player's Ball,” the duo embarked on a run of platinum albums spiked with several hit singles, enjoying numerous critical accolades in addition to their commercial success.
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Andre Benjamin (Dre) and Antwan Patton (Big Boi) attended the same high
school in the Atlanta borough of East Point, and several lyrical battles
made each gain respect for the other's skills. They formed OutKast, and
were pursued by Organized Noize Productions. Signed to the local LaFace
label just after high school, OutKast recorded and released “Player's
Ball,” then watched the single rise to number one on the rap charts. It
slipped from the top spot only after six weeks, was certified gold, and
created a buzz for a full-length release. That album, Southernplayalisticadillacmuzik,
hit the Top 20 in 1994 and was certified platinum by the end of the year.
Dre and Big Boi also won Best New Rap Group of the Year at the 1995 Source
Awards.
OutKast returned with a new album in 1996, releasing ATLiens that August; it hit number two and went platinum with help from the gold-selling single “Elevators (Me & You).” Aquemini followed in 1998, also hitting number two and going double-platinum. There were no huge hit singles this time around, but critics lavishly praised the album's unified, progressive vision, hailing it as a great leap forward and including it on many year-end polls. Unfortunately, in a somewhat bizarre turn of events, OutKast was sued over the album's lead single “Rosa Parks” by none other than the civil rights pioneer herself, who claimed that the group had unlawfully appropriated her name to promote their music, also objecting to some of the song's language. The initial court decision dismissed the suit in late 1999. Dre modified his name to Andre 3000 before the group issued its hotly anticipated fourth album, Stankonia, in late 2000. Riding the momentum of uniformly excellent reviews and the stellar singles “B.O.B.” and “Ms. Jackson,” Stankonia debuted at number two and went triple platinum in just a few months; meanwhile, “Ms. Jackson” became their first number one pop single the following February. Speakerbox/The Love Below shot through the roof upon it release in 2003, courtesy of the hit single “Hey Ya.” But it was more than one song that ensured the true success behind this double album. On Speakerbox, Big Boi proves his prowess on the mic - hitting lyric after lyric, song after song - to ensure a few heads turning to notice a lyricist second to none. Andre3000 meanwhile revolutionizes The Love Below with a mixture of styles to create some of the best arrangements ever to be incorporated into mainstream hip-hop. This double album further cemented duo's place in the growth of modern Southern hip-hop, as well as refuting the common belief that one must be a “gangsta” to successfully rap. |